Of course, like all rules, these do’s are made to be broken. However, it is important to understand what the rules are and how and why they work before you consider violating them.
When writing haiku, focus on one single, special, emotive experience or event. Focus on a moment that you feel you have to share with another person. Perhaps this moment taught you a valuable lesson, or perhaps it awoke something dormant in you. Nevertheless, it should be a single, short, yet memorable experience that you feel compelled to share with your reader.
When writing haiku, focus on first describing what is going on in the experience. Do not focus on your feelings, opinions, or thoughts on the matter. Instead, concentrate only on what you can hear, see, smell, touch, or taste. Haiku requires solid, concrete images. In other words, show, don’t tell.
According to this principle, a haiku poem must utilize words and concepts that gives the reader a context under which he or she can quickly understand the scene of the poem. In old times, for example, haiku poets would use season-words (kigo) that either directly mentions or alludes to a specific season. By doing this, they allow the reader to easily imagine the scene, since most readers are familiar with the different seasons.
When writing haiku, focus on providing images that the reader can easily grasp. If you make your images too esoteric, then the reader has a harder time feeling the emotion of the piece.
The point of economy isn’t simply to keep the poem short, but to make sure that the details included in the poem are organized to create the most impact on the reader. For more information on different methods for doing this, visit the techniques page.
In the English world, we do not follow the same rhythm. Thus, we must stick with the principle of brevity and keep the haiku sayable in one breath. This makes the image easy to absorb and imagine for the reader. This principle works hand in hand with the principle of economy. In cutting out the unnecessary words, you must select words that allow the poem to flow in one breath.